Friday 27 February 2009

IT DOESN'T MATTER if you just bought a fresh Bentley.

A pocket full of cheese to the first to guess the song. Note: no actual cheese will be gifted or in anyway transferred.

So, hello! Oof, that was a bit cheery, sorry. So, yeah. Hi. That's better, much better. Few things I want to get through, but I'll probably do one and then get distracted by something shiny - I'm incredibly shallow like that. In fact, Shallow could be my middle name, if it wasn't already Tiberius. It's not that, either, to be honest. Either way, it's not Shallow. But it could be. Christ what a load of old waffle. I, David Tito L. apologise.

So, just in case I don't bother finishing before being distracted, here are the top topics tickling my titanium cranium this Friday evening. Twitter, Dr. Hook, Inadvertantly Threatening Songs, Something Else That I've Already Forgotten.

So, here goes. I promise I won't be starting every paragraph with "so". It isn't a theme or anything.

Twitter
Shitter, more like. Haha. Not really, I just couldn't resist typing it. I had a sudden urge to sound like a right twat, the sort most commonly encountered down the pub expounding on Football. "Arshavin? ARSEshaving more like! Huurrrrr hurrrr huuurrr ARSEshaving hurrr yeah? Hurrr hurrr ARSE yeah? Yeah? Hurrr hurrr hurrr" [unnecessarily forceful elbow nudge] "hurrr hurrr yeah? ARSE hurrr hurrrr". They will be drinking Stella.

Anyway. Twitter. I use it, obviously. It's a means of directing my tedious waffle at an uncaring internets, so of course I use it. But it's so utterly irritating and infuriating too. How am I meant to limit myself to 140 characters? I yawn longer than that (usually when other people talk to me). But that's not the real irritant though, oh no (obviously I manage to find a use for it at times), not by a long chalk. It's the "celebrities" - and more particularly, the clods who reply to their tweets, like they're really good friends and that. BIGFATCHRISMOYLES "I ated nineteen pies today" RANDOM INTERNET SPOD "Oh LOL Chris! I luv piez 2! We cud b twinz!" Fuckers. And that's the other thing - txt spk n shit in tweets. The only really vaguely intriguing element is trying to fit something other than an update on your feeding habits into the character limit "Had breakfast. Was nice. Yum". Usin da txt spk n shit just makes a mockery of the whole challenge "Had brek 2day cocopops is gr8 they make da milk ded brwn n shit LOL RIP in piece brekfust I 8ed u so gud HAHAHA xx tb xx". I have no idea if that example is of sufficient length or not, nor do I have any inclination to check with my counting finger. Still, fuckers, the lot of them. Also, I've accumulated a random follower who already follows nearly a thousand others. Haven't a clue who she is, daft bint.


Dr. Hook
Short one, this. Hopefully. I revealed to the world, via the medium of Twitter, that I listened to two separate Dr. Hook songs today. I've listened to lots more since I got home, but that's not the point. One of the songs that the spazPod injected into my earspace on the tram home today was "You Ain't Got the Right". Meant to be sad, with wry humour. The wry humour is there, but unfortunately the sad is negated entirely by the inadvertant humour (they'll reappear in the Inadvertantly Threatening Songs section, but more on that later). See, Denis Locorriere - he's the main singer, the one without the eyepatch but with the bobbly head and stupid hair on the video for the really shit famous song of theirs that isn't Sylvia's mother, you know the one, it's always on TOTP2 and VH1 - he tries to inject some real, genuine, gritty emotion in his sings. Sometimes, he overdoes it. Give it a listen, go on. Starts well enough, proper singing, little bit wistful, little bit country, little bit good. Then Denis starts on the verse. By the time he gets to "all her pretty clothes were gone" around 50s in, the catch sneaks into his quavering voice, and the seeds of musical destruction are sown (might be exaggerating a little there, but you know what I mean. At least you do if you've been listening along), and by the time it hits Denis croaking "oh no no" melodramatically behind the following chorus, the giggles have started. He interrupts each and every chorus thereafter in a similar, and increasingly desperate fashion. It's awesome. Awesomely amusing. And just generally awesome. Oh no, no NO NOOOO NOOO *sob*

I'm listening to it right now.

What was the other thing? *scrolls up* Oh yeah, Inadvertantly Threatening Songs.

Inadvertantly Threatening Songs
This is prompted today by Dr. Hook, but is something that I've touched upon before (ooer). It all began with Tom Jones. Doesn't everything? Truly, he is the creosoted creator of all greatness. Incidentally, if you haven't already done so, I reckon you should acquaint yourselves with the Tom Jones Redemption Memorial sPazAmp (Hnngh!), which can be found here. Yes, yes, I know. You all have it bookmarked and read it daily, understanding that it constitutes the very pinnacle of my whimsically amusing output (just edging out my Colossal Cave Adventure sPazAmp of Doom. Quite depressing reading them back, I was so much funnier back then.) Where was I? I wandered re-reading my own awesomeness and listening to The Tom (looks like you got LOVE-ITIS!). Oh yes, that.

See, it began with "She's a Lady" and "I (Who Have Nothing)". Go listen to them thoroughly, then come back and carry on reading. Back? You did good, your ears will thank you (if they actually do thank you, seek specialist help, that isn't normal). First, She's a Lady. In Tom's world, to qualify to be a "lady" is to not ask for much, don't get in the way, say some nice things, and - if you're really lucky - he might not punch you. Oh, and be good at doing sex at him. But he'll likely as not punch you anyway, so you better have a strong chin (she can take what I dish out, and that's not easy. Cock-based boast, or thumping-based observation? You decide). It all means well, but those are some hugely sinister and orange undertones. Like Fergal Sharkey wearing a cape in a tanning salon. Still a might fine song. As is "I (Who Have Nothing)", which widdles all over the leathery lunged Shirley Bassey version (no, I'm not gay, it just sounds that way sometimes). It's all covered in the other post, but it bears repeating.

All very dramatic and heartfelt, enough to stir the most unstirrable of cold, slimy, walnutty hearts (like mine). But then - "he can take you anyplace he wants, to fancy clubs and rest-o-ronts, and I can only watch you with my nose pressed up against the window pane". So there you are, having dinner, possibly with a swoonsome, foxy tycoon type. He treats you right, buys things (like diamonds, bright sparkling diamonds), and feeds you food in rest-o-ronts. You couldn't be happier. You're being swept off your feet, seduced by talk of the Riviera and Venice. You're very likely moistening. And then, oh, and then. You look up. There's a pair of starey eyes, a mop of unruly hair and an oversized circle of condensation with an orange leathery Welshness splodged against the window pane behind it. It'd put you off your nosh at the very least, and possibly lead to a restraining order.

And then there's Dr. Hook. Short and snappy, it's all in the song "A Little Bit More". When your body's had enough of me, and I'm laying flat out on the floor. When you think I've loved you all I can, I'm going to love a little bit more. In fact, I'm going to wait until you're asleep with aching thighs, then I'm going to slip it in when you least expect it. I'm a sex pest! I sleep on the floor! Surprise sex! My friend Ray has an eyepatch! Sordid.

No, I can't remember the other thing. Still, I reckon that's enough - if nothing else, it contains links to the twin peaks of musical witterings, with pictures.

BEGONE.